Call for Papers: ‘Who Shall Deliver Me?’ Christina Rossetti and the Illustrated Poetry Book

Organised between the Birkbeck Centre for Nineteenth–Century Studies and Watts Gallery – Artists’ Village, this two-day symposium will include an opportunity to tour the exhibition ‘Christina Rosetti: Vision and Verse’ at Watts Gallery and a launch of the new digital edition of Goblin Market edited by Lorraine Janzen Kooistra and Anthony Harrison.

Keynote
Professor Lorraine Janzen Kooistra (Ryerson University) and Professor Antony H. Harrison (North Carolina State University): ‘Visualizing Christina Rossetti’s Poetry in Print, Pigment, and Pixel’

Christina Rossetti’s (1830-1894) poetry has inspired visual artists since it first began to be published in the 1840s. Artists who made designs to accompany her poetry in illustrated books include her brother Dante Gabriel Rossetti, Frederick Sandys, Arthur Hughes, Laurence Housman and later Florence Harrison, Lucien Pissarro and Charles Ricketts. Those who engraved these designs include the prolific Dalziel Brothers firm and Joseph Swain.

This Autumn Watts Gallery – Artists’ Village will hold the exhibition ‘Christina Rossetti: Vision and Verse’, which is accompanied by a new publication Christina Rossetti: Poetry in Art (edited by Dr Susan Owens and Dr Nicholas Tromans, Yale University Press). To coincide with the exhibition, this two-day symposium will bring together established and emerging scholars in the field to examine Rossetti’s work in the context of the mid-nineteenth-century illustrated poetry book. How did poets collaborate with publishers and artists in the production of illustrated poetry books? What role does ornament play in the formation of meaning? How did women poets work with illustrators and publishers?

We welcome proposals for papers and will be particularly interested in the following topics:
• The Pre-Raphaelite Illustrated Poetry Book
• The Illustrated Decadent Book
• The Illustrated Poetry Book in the Digital Age
• In the engravers’ workshop: The Dalziel Brothers and the Illustrated Poetry Book
• Ornament, Colour, and Lines: the Visual Culture of Poetry
• Poetry as Collaboration
• Women Poets and Women Illustrators
• Christina Rossetti as a visual artist
• Christina Rossetti and the Ut Pictura Poesis Tradition
• Christina Rossetti, Illustrated.

Abstracts of 350 words and biographies of no more than 100 words should be sent to Tessa Kilgarriff at assistantcurator@wattsgallery.org.uk by Monday 1 October 2018. Papers should be 20 minutes in length.

Postgraduate bursaries
Four postgraduate bursaries are available. Each bursary will cover registration for both days and up to £60 towards travel expenses. To apply for a bursary please send a two-page CV and a 300 word supporting statement in addition to your abstract and biography. In the 300 word statement, applicants should explain the reasons why they are seeking financial sponsorship and how attendance at Rossetti and the Illustrated Poetry Book conference will contribute to their research and professional development. All application materials should be sent to assistantcurator@wattsgallery.org.uk with ‘Rossetti bursary application’ under the subject line by Monday 1 October 2018. Any enquiries should be similarly addressed.

For more information, please click here.

Book and Illustration at the Turn of the Century in Britain + America

BOOKS AND ILLUSTRATION AT THE TURN OF THE CENTURY IN BRITAIN AND AMERICA
A public symposium presented by the Fellowship of American Bibliophilic Societies

Saturday, May 19, 2018 · 1:30 pm
Delaware Art Museum
2301 Kentmere Parkway, Wilmington, DE
 
Free for Museum Members or with Museum admission

In conjunction with the Fellowship of American Bibliophilic Societies’ (FABS) Tour of Delaware and the Delaware Bibliophiles, the Delaware Art Museum will hold “Books and Illustration at the Turn of the Century in Britain and America,” a symposium with three speakers. These talks will focus on illustration and book design—a strength of the collections of the Delaware Art Museum and the University of Delaware Library. A tea reception will follow.

Please visit www.delart.org/event/books-and-illustration/ for details and registration.

Speakers:

–         “Ouida Illustrated: Commerce, Politics, and Representation in the Illustrated
Editions of Ouida’s Works”
Jesse R. Erickson, Postdoctoral Researcher in Special Collections and Digital
Humanities, University of Delaware

–        “Rediscovering an American Woman Illustrator, Alice Barber Stephens”
Martha H. Kennedy, Curator, Popular & Applied Graphic Art, Library of Congress

–        “Christina Rossetti’s Goblin Market: 150 Years of Art & Illustration”
Casey Smith, Visiting Professor of English, West Chester University

This event is sponsored by the Delaware Art Museum’s Friends of the Helen Farr Sloan Library and by the Mark Samuels Lasner Collection, University of Delware Library.

 

CfP: Association of Art Historians 2017

AAH2017 

43rd Annual Conference and Art Book Fair

Loughborough University

6 – 8 April 2017

Deadline for Proposals: 7 November 2016

 

AAH2017’s Call for Papers includes two sessions of interest to RIN’s members, readers and followers:

 

Prints in Books: the materiality, art history and collection of illustrations

Convenor: Elizabeth Savage, Cambridge University, leu21@cam.ac.uk

 

Speculative Libraries

Convenor: Nick Thurston, University of Leeds, n.thurston@leeds.ac.uk

 

Please email your paper proposals straight  to the session convenor(s). Provide a title and abstract for a 25 minute paper (max 250 words). Include your name, affiliation and email. Your paper title should be concise and accurately reflect what the paper is about (it should ‘say what it does on the tin’) because the title is what appears most first and foremost online, in social media and in the printed programme.

You should receive an acknowledgement of receipt of your submission within two weeks.

 

Applications open: Amy P. Goldman Fellowship in Pre-Raphaelite Studies

Amy P. Goldman Fellowship in Pre-Raphaelite Studies

Deadline to apply November 1, 2016
The University of Delaware Library, in Newark, Delaware, and the Delaware Art Museum are pleased to offer a joint Fellowship in Pre-Raphaelite studies, funded by the Amy P. Goldman Foundation. This one-month Fellowship, awarded annually, is intended for scholars conducting significant research in the lives and works of the Pre-Raphaelites and their friends, associates, and followers.  Research of a wider scope, which considers the Pre-Raphaelite movement and related topics in relation to Victorian art and literature, and cultural or social history, will also be considered. Projects which provide new information or interpretation—dealing with unrecognized figures, women writers and artists, print culture, iconography, illustration, catalogues of artists’ works, or studies of specific objects—are particularly encouraged, as are those which take into account transatlantic relations between Britain and the United States. Applicants whose research specifically utilizes holdings of the University of Delaware Library, the Mark Samuels Lasner Collection, the Delaware Art Museum, and the Helen Farr Sloan Library and Archives, are preferred.

A stipend of $3,000 is available for the one-month Fellowship. Housing will be provided. Personal transportation is recommended (but not mandatory) in order to fully utilize the resources of both institutions.

The Fellowship is intended for those who hold a Ph.D. or can demonstrate equivalent professional or academic experience. Applications from independent scholars and museum professionals are welcome. By arrangement with the Yale Center for British Art, New Haven, CT, scholars may apply to each institution for awards in the same year; every effort will be made to offer consecutive dates.

The deadline to apply for the 2017 Fellowship is November 1, 2016. Notification of the successful applicant will be announced by December 1, 2016. The chosen candidate will then be asked to provide a date for assuming the Fellowship by January 1, 2017.

If you have any questions or would like to request more information, please contact:

Margaretta S. Frederick
Pre-Raphaelite Fellowship Committee
Direct line: 302.351.8518
E-mail: fellowships@delart.org

RIN Summer event: ‘Staging Shakespeare’, Professor Frederick Burwick, Westminster Archives Centre, July 19th 2016

RIN’s summer event took place on one of the hottest evenings of the year, but a great crowd turned out to hear Frederick Burwick’s public lecture ‘Staging Shakespeare: picturing Shakespeare’s plays in the 18th and 21st centuries’.

A renowned expert on the Boydell Shakespeare Gallery, Burwick’s starting point was the question: what relevance are the Boydell prints to the staging of Shakespeare?

His answer, in contrast to Richard Altick’s (in Painting From Books, 1985) is: quite a lot.

Burwick picked out 27 images which showed that many (not all) of the Boydell prints in fact have a close affinity with what a London audience might have witnessed on stage at the end of the 1700s.

He showed that, because many of the original paintings were done by artists who were also scene painters, the prints are a useful guide to what the 18th century stage would have looked like. Northcott and others asked actors such as Kemble to pose in their studios in role, and the paintings conform to the language of gesture in use on the stage at that time.

Indeed, Burwick’s lecture made it clear that the Boydell images remained an influence on subsequent Shakespeare productions, as Burwick drew comparisons with 20th and 21st century stagings.

At the wine reception (sponsored by the British Association for Romantic Studies) after the lecture, attendees were able to look at the digitized Shakespeare Gallery prints donated to RIN by Burwick, and also at items from the Westminster Archives extensive Theatre collection.

 

 

Reminder: RIN’s summer event, ‘Staging Shakespeare’, London July 19th

‘Staging Shakespeare: picturing Shakespeare’s plays in the 18th and 21st centuries’.
Professor Fred Burwick, University of California Los Angeles

Tuesday 19th July 2016
6.30pm – 8pm
City of Westminster Archives Centre, 10 St Ann’s St, London, SW1P 2DE

Join us for an event to celebrate Shakespeare’s 400th Anniversary, with a free public lecture followed by a wine reception (sponsored by the British Association for Romantic Studies).

Download the poster at https://romanticillustrationnetwork.wordpress.com/2016/05/03/rin-event-fred-burwick-staging-shakespeare-public-lecture-at-westminster-archives-july-19th-2016/.

 

RIN member Fred Burwick will share his expert knowledge of the Boydell Shakespeare Gallery, opened in Pall Mall in 1789. The talk will examine the extent to which any of the scenes in the Boydell Gallery might be presumed to represent how Shakespeare was actually performed during the period, and also consider present-day models of representation.

Prints from the Gallery will be on view, as well as a display about Shakespeare.

To book, contact: City of Westminster Archives Centre, 10 St Ann’s St,London, SW1P 2DE
Tel: 020 7641 5180
Email: archives@westminster.gov.uk

 

In conversation with… Ian Hislop

Ian Hislop, satirist, broadcaster, historian, and editor of Private Eye, chats to Roehampton’s Dr Mary L. Shannon about his new radio play ‘Trial by Laughter’ (co-written with Nick Newman) which dramatizes the trial of William Hone for libel in 1817, press freedom, and the importance of satirical images in the nineteenth century.

Click here to access the podcast and to get the full story.

Mary L. Shannon and Ian Hislop Private Eye

RIN members: request for help

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Dear All,

Thank you so much for continuing to be part of the Romantic Illustration Network, and for following the RIN blog.

We are interested in how membership of RIN has impacted upon the work and interests of all our members who are not university academics: artists, illustrators, independent scholars and everyone with a general interest in visual culture and/or illustration etc.

Has a post on this site generated any new ideas for you? Have you visited an exhibition advertised on the blog? Have you been inspired by something you heard about via RIN? We’d love to hear from you!

Drop me a sentence or two at Mary.Shannon@roehampton.ac.uk, and I will make sure future posts contain more of the info that you find useful and exciting.

 

A Christmas Workshop: RIN/House of Illustration Partnership

Anna Glendenning is a PhD candidate from Roehampton’s Centre for Research in Romanticism, who works on caricature. She reports here on the Romantic Illustration Network’s collaboration with the House of Illustration on a workshop for Y8 pupils, supported by the University of Roehampton.

On Thursday 3rd December, the House of Illustration in King’s Cross London was home to an exciting day of collaboration between local schoolchildren, RIN member Dr. Mary L. Shannon from the University of Roehampton, and professional illustrator Merlin Evans.

A group of thirty girls aged 12-13 (from Elizabeth Garrett Anderson School in Islington) braved a suitably chilly winter’s morning to visit the House of Illustration, where they immersed themselves in a special workshop on Dickens’s A Christmas Carol .  I also got to help out: it was hugely enjoyable to be part of such an inspiring day of interdisciplinary fun. For the full photostory, see http://www.roehampton.ac.uk/Courses/English-and-Creative-Writing/News/There-s-no-Bah-Humbug-this-Christmas-for-pupils-at-illustration-workshop/.

Dickens’ text has long been a favourite in English classrooms, but it was the aim of this collaboration to give the girls a unique opportunity to explore the crucial role of illustrations – both conceptually and creatively – with two experts.

The HOI’s learning programme, with Head of Education Emily Jost at its helm, is dedicated to bringing illustrations into the limelight. Its core aim is to enhance knowledge of and confidence in visual communication for all. The Romantic Illustration Network (RIN) shares this enthusiasm. RIN’s project to restore the importance of visual culture in the Romantic period involves a commitment to sharing and to promoting access to the research it undertakes.

Mary Shannon, who specializes in Victorian print culture and is a Dickens expert, led a lively session. By contrasting different illustrations of Scrooge with Dickens’s narrative, trying out their own sketches, and learning from Shannon about Victorian Christmas traditions, the girls contributed lots of compelling thoughts and critiques, expanding their understanding of the relationship between illustrations and Dickens’s text.

After taking a look at the House of Illustration’s current exhibition, the girls returned to the studio for a special session with Merlin Evans. Evans brought in tools from her trade and shared some different techniques of collage-making and line work to help the girls to get to grips with the material qualities of producing images. The girls rummaged through photocopies of Victorian illustrations and had the chance to try out the new drawing methods Evans had demonstrated. The results were exquisite. The girls were able to compare their work with the earlier sketches they had made – a great way to show how their understanding of Scrooge’s character had developed over the course of the workshop, and, hopefully, to boost their illustration skills and confidence into the future.

Future collaborative workshops involving RIN’s Professor Ian Haywood (Roehampton) and Dr Susan Matthews (Roehampton) are in the pipeline, so watch this space in the New Year!

Anna Glendenning

Autumn issue of ‘Blake: An Illustrated Quarterly’ now online

“And I only am escaped alone to tell thee”: the autumn issue of Blake: An Illustrated Quarterly is now online.

http://blake.lib.rochester.edu/blakeojs/index.php/blake

Blake Illustrated Quarterly

It is dedicated to two articles on Blake’s Illustrations of the Book of Job. Mei-Ying Sung describes in detail for the first time the set of pre-publication Job proofs at the Beinecke Library at Yale, and Sibylle Erle talks about Alfred Tennyson’s copy of Job: how and when he acquired it and how he used it.

For past issues, see http://bq.blakearchive.org/