Bibliography

Romantic Illustration Network:
Select Bibliography

If you have any suggestions for texts we should include, or would like us to add your book or article, please email
Dustin Frazier Wood at Dustin.FrazierWood@roehampton.ac.uk.

Journal of Illustration Studies (Cardiff, 2007)

Altick, Richard D. The Shows of London. Harvard UP, 1978.

Altick, Richard D. Painting from Books: Art and Literature in Britain 1760-1900. Columbus: Ohio State University Press, 1985.

Bartram, Alan. Five Hundred Years of Book Design. New Haven: Yale UP, 2001.

Benton, Michael. Studies in the spectator role: Literature, painting and pedagogy London and New York: Routledge, 2000.

Bettley, James, ed. The Art of the Book: From Medieval Manuscript to Graphic Novel. London: V and A Publications, 2001.

Bland, David. The Illustration of Books. Faber and Faber, 1951.

Bland, David. A History of Book Illustration: The Illuminated Manuscript and the Printed Book. Second Edition. Faber and Faber, 1969.

Blewett, David. The Illustration of Robinson Crusoe, 1719-1920. Gerrards Cross :Colin Smythe, 1995.

Bonnell, Thomas Frank. The Most Disreputable Trade: publishing the classics of English poetry 1765-1810. OUP: 2008.

Brenni, Vito Joseph. Book Illustration and Decoration: A Guide to Research. Westport: Greenwood Press, 1985.

Breton, Rob. “Portraits of the Poor in Early Nineteenth-Century Radical Journalism,” Journal of Victorian Culture 21:2 (2016), 168-83.

Brewer, John. The Pleasures of the Imagination: English Culture in the Eighteenth Century. 1997; Routledge, 2013. Chapter 11, ‘Borrowing, Copying and Collecting’.

Briggs, Jo. Novelty Fair: British visual culture between Chartism and the Great Exhibition. Manchester: Manchester University Press, 2016.

Brown, John Buchanan. Early Victorian Illustrated Books: Britain, France and Germany 1820-1860. British Library and Oak Knoll Press, 2005.

Bryan, Michael. Dictionary of Painters and Engravers: Biographical and Critical. New ed., rev. and enl., ed. Robert Edmund Graves. London: G. Bell, 1886-1889.

Bryson, Norman et al, eds. Visual Theory: Painting and Interpretation. CUP, 1991.

Burwick, Frederick. “James Gillray and the Aporia of Visual Hermeneutics,” Romantic Explorations. Ed.Michael Meyer. Trier: Wissenschaftlicher Verlag Trier, 2011. Pp. 85-103.

Burwick, Frederick.“The Hermeneutics of Lichtenberg’s Interpretation of Hogarth,” The Lessing Yearbook 19 (1987): 167‑191.

Burwick, Frederick. “Lessing’s Laokoon and the rise of Visual Hermeneutics,” Poetics Today XX, no. 2 (Summer 1999): 219-272.

Cale, Luisa. Fuseli’s Milton Gallery: ‘Turning readers into spectators’ . Clarendon Press, 2006.

Cubitt, Sean Digital Aesthetics. Sage 1998 [http://www.ucl.ac.uk/slade/digita/index.html]

Daly, Peter M. et al eds. Word and Visual Imagination. Germany, 1988.

Davidson, Peter. The Book Encompassed. 1992.

Dias, Rosemarie. ‘ “A World of Pictures”: Pall Mall and the Topography of Display, 1780-1799’ in Miles Ogborn and Charles Withers, Georgian Geographies: Space, Place and Landscape in the Eighteenth Century. Manchester: Manchester University Press, 2004.

Eaves, Morris. ‘The sister arts in British Romanticism’. The Cambridge Companion to British Romanticism. Second Edition Ed. Stuart Curran. CUP, 2010, 229-61.

Eisenstein, Elizabeth L. The Printing Press as an Agent of Change. CUP, 1980.

Essick, Robert N. “Visual/Verbal Relationships in Book Illustration.” In British Art 1740-1820: Essays in Honor of Robert R. Wark. Ed Guilland Sutherland. San Marino, CA: Huntington Library, 1992.

Frederick Faxon, Literary Annual and Gift Books: A Bibliography.1973.

Ferris, Ina, and Paul Keen, eds. Bookish Histories: Books, Literature, and Commercial Modernity, 1700-1900. Houndmills: Palgrave Macmillan 2009.

Finkelstein, David Book History Reader. Routledge, 2002.

Ford, Brian J. Images of Science: A History of Scientific Illustration. London: British Library, 1992; rpt. New York: Oxford University Press, 1993.

Fried, Michael. Absorption and Theatricality: Painting and the Beholder in the Age of Diderot. California UP, 1980.

Garside, Peter. ‘Illustrating the Waverley Novels: Scott, Scotland, and the London Print Trade, 1819-1836’, The Library, 11 (2010), 168-96.

Garside, Peter. ‘Print Illustrations and the Cultural Materialism of Scott’s Waverley Novels’, in British Literature and Print Culture, ed. Sandro Jung (Cambridge: D. S. Brewer, 2013), pp. 125-57.

Gerard, William Blake. Lawrence Sterne and the Visual Imagination. Ashgate, 2006.

Golden, Catherine J. Book Illustrated: Text, Image, and Culture 1770-1930. New Castle: Oak Knoll Press, 2000.

Goldman, Paul. ‘Defining Illustration Studies: Towards a New Academic Discipline’, Chapter 1 of Paul Goldman and Simon Cooke, eds, Reading Victorian Illustration, 1855-1875: Spoils of the Lumber Room. Ashgate 2012.

Gollapudi, Aparna. ‘Selling Celebrity: Actors’ Portraits in Bell’s Shakespeare and Bell’s British Theatre’. Eighteenth Century Life, Volume 36, Number 1, Winter 2012.

Gordon, Catherine M. British Painting of Subjects from the English Novel New York: Garland, 1988.

Hammelmann, Hanns. Book Illustrators in Eighteenth-Century England. Edited and completed by T.S.R. Boase. New Haven and London: Yale University Press, 1975.

Harris, Katherine D. “Fantasies of Containment: Archiving Moments in Cyber- and Real-Life.” Metaphors of Cyberspace. Ed. Caroline Maun.

Harthan, John. The History of the Illustrated Book: The Western Tradition. London: Thames and Hudson, 1981.

Haywood, Ian, Romanticism and Caricature (CUP, 2013)

[Hazlitt], Sketches of the Principal Picture Galleries in England. 1824.

Heffernen, James A. W. ed., Space, Time, Image, Sign: Essays on Literature and the Visual Arts. Peter Lang, 1987.

Hill, Richard. ‘The Illustration of the Waverley Novels: Scott and Popular Illustrated Fiction’, Scottish Literary Review, 1.1 (2009), 69-88.

Hill, Richard. Picturing Scotland through the Waverley Novels: Walter Scott and the Origins of the Victorian Illustrated Novel. Farnham: Ashgate, 2010.

Hillis Miller, J. Illustration. Reaktion Books, 1992.

Hodnett, Edward. Image and Text: Studies in the Illustration of English Literature. Scolar Press, 1982.

Hodnett, Edward. Five Centuries of English Book Illustration. Scolar Press, 1988.

Hofer, Philip. Eighteenth Century Book Illustration. Los Angeles: Williams Andrews Clark Memorial Library, University of California, 1956.

Höltgen, Karl Josef, Peter M. Daly and Wolfgang Lottes, eds. Word and Visual Imagination: Studies in the Interaction of English Literature and the Visual Arts. Erlangen-Nürnberg, 1988.

Hunnisett, Basil. Steel Engraved Book Illustration in England. Scolar Press, 1980.

Ionescu, Christina and Renata Schellenberg eds. Word and Image in the Long Eighteenth Century: An Interdisciplinary Dialogue. Cambridge Scholars Publishing, 2008.

James, Philip. English bookillustration 1800-1900. Harmondsworth, Middlesex: Penguin, 1947.

John, Adrian. The Nature of the Book: Print and Knowledge in the Making. Chicago UP, 1998.

Jung, Sandro. ‘Illustrated Pocket Diaries and the Commodification of Culture’, Eighteenth-Century Life, 37.3 (2013): 53-84.

Jung, Sandro. ‘Packaging, Design and Colour: From Fine-Printed to Small-Format Editions of Thomson’s The Seasons, 1793-1802’ in Sandro Jung, ed, British Literature and Print Culture, The English Association Essays and Studies 66 (D. S. Brewer, 2013), 97-124.

Jung, Sandro. ‘Print Culture, High-Cultural Consumption, and Thomson’s The Seasons, 1780-1797′, Eighteenth-Century Studies, 44 (2011): 495-514.

Jung, Sandro. ‘Thomas Stothard’s Illustrations for The Royal Engagement Pocket Atlas, 1779-1826′, The Library, 12.1 (2011): 3-22.

Jung, Sandro. ‘Visual Interpretations, Print, and Illustrations of Thomson’s The Seasons, 1730–1797’. Eighteenth Century Life 34. 2 (Spring 2010), 23-64.

Katz, Bill, ed. A History of Book Illustration: 29 Points of View. Metuchen, NJ: Scarecrow, 1994.

Keymer, Thomas and Peter Sabor. Pamela in the Marketplace: Literary Controversy and Print Culture in Eighteenth-Century Britain and Ireland (Cambridge: Cambridge Univ., 2006). See especially chapter 5, “Illustrations and the Visual Culture of the Novel”.

Kress, Gunter, amd Theo van Leeuwen. Reading Images: The Grammar of Visual Design. Routledge, 1996.

Kroeber, Karl and William Walling. Images of Romanticism. New Haven: Yale UP, 1978.

Landseer, John. Lectures on the Art of Engraving. 1807.

Levarie, Norma. The Art and History of Books. New Castle: Oak Knoll Press, 1995.

Lewine, J. Bibliography of Eighteenth-Century Art and Illustrated Books: Being a Guide to Collections of Illustrated Works in English and French of the Period. London: Sampson Low, Marston and Company, 1898.

Matthews, Susan, Blake, Sexuality and Bourgeois Politeness. Cambridge: CUP, 2011.

Maxwell, Richard. The Victorian Illustrated Book. Virginia UP, 2002.

Melville, Stephen W. ed. Vision and Textuality. Macmillan, 1991.

Mitchell, W. T. Iconology: Image, Text, Ideology. Chicago UP, 1987.

Möller, Joachim (ed.). Imagination on a Long Rein: English Literature Illustrated. Marburg: Jonas, 1988.

Myrone, Martin, and Lucy Peltz, ed. Producing the Past: Aspects of Antiquarian Culture and Practice, 1700-1850. Preface by Stephen Bann. Brookfield, VT: Ashgate, 1999.

Piper, Andrew. Dreaming in Books: the making of the bibliographic imagination in the Romantic Period. Chicago, 2009.

Piper, David. The Image of the Poet. Oxford: Clarendon Press, 1982.

Praz, Mario. Mnemosyne: The Parallel Between Literature and the Visual Arts. Princeton UP, 1970.

Rabb, Melinda. ‘Johnson, Lilliput and Eighteenth-Century Miniature’, Eighteenth Century Studies 46. 2 (2013)

Raven, James. Judging New Wealth: Popular Publishing and Responses to Commerce in England, 1750-1800. Oxford: Oxford University Press, 1992.

Raven, James. The Business of Books 1450-1850 Yale UP 2007

Ray,Gordon N. The Illustrator and the Book in England from 1790-1914. Pierpont Morgan Library; Oxford University Press, 1976.

Read, Dennis M. R. H. Cromek: Engraver, Editor and Entrepreneur. Ashgate, 2011.

Sabor, Peter. ‘Illustrations of Robinson Crusoe, 1719-1920’ Eighteenth-Century Fiction. 9 (1996):122-124.

Sillars, Stuart. Illustrating Shakespeare (2008) and Painting Shakespeare (2006)

Shepherd, Lynn. Clarissa’s Painter. OUP, 2009.

Skilton, David. ‘The Relation between Illustration and Text in the Victorian Novel: A New Perspective’ in Höltgen, 303-19.

Solkin, David H. ed. Art on the Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London: Yale UP, 2001.

Solkin, David. Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England. Yale UP, 1992.

Smiles,Sam. Eye Witness: Artists and Visual Documentation in Britain 1770-1830 . Ashgate, 2000.

Smith, Keith A. Structure of the Visual Book. 2003.

Stafford, Barbara. Good Looking: Essays on the Virtue of Images. MIT, 2003.

St Clair, William. The Reading Nation. CUP, 2004.

Stewart, Garrett, The Look of Reading: book, painting, text. Chicago UP, 2006.

Tattersfield, Nigel. John Bewick: Engraver on Wood, 1760-1795: An Appreciation of His Life, together with an Annotated Catalogue of his Illustrations and Designs. London: British Library; New Castle, DE: Oak Knoll, 2001.

Thackeray, ‘Pictures of Life and Character. By John Leech’ (1854), Critical Papers on Art. Macmillan, 1904.

Thomas. Julia. Pictorial Victorians: The Inscription of Value in Word and Image. Athens, Ohio: Ohio University Press, 2004.

Thomas, Sophie. “Poetry and Illustration” in The Blackwell Companion to Romantic Poetry, ed. Charles Mahoney (Blackwell, 2011), pp. 354-373.

Wagner, Peter, ed. Icons, Texts, Iconotexts: Essays on Ekphrasis and Intermediality. Berlin, 1996.

Walters, Gwyn. “Developments in the Study of Book Illustration.” The Book Encompassed: Studies in Twentieth-Century Bibliography. Edited by Peter Davison. New York: Cambridge University Press, 1992.

Wendorf, Richard. Articulate Images: The Sister Arts from Hogarth to Tennyson. Minnesota UP, 1983.

Westover, Paul. ‘Illustration, Historicism, and Travel: The Legacy of Sir Walter Scott’, in Necromanticism: Traveling to Meet the Dead, 1750-1860 (Basingstoke; New York: Palgrave Macmillan, 2012), pp. 142-73.

Whiteley, William T. Artists and Their Friends in England, 1700-1799. 1928; reprinted New York: Benjamin Blom, 1968.

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CFP: ‘Poetry & Painting: Conversations’ – An Interdisciplinary Conference; University of Oxford, 23 March 2020

CFP: ‘Poetry & Painting: Conversations’ – An Interdisciplinary Conference;

Faculty of English, University of Oxford, 23 March 2020.

You know how

I feel about painters. I sometimes think poetry

only describes.

Frank O’Hara, ‘John Button Birthday’ (1957)

The supposed similarity between poetry and painting was famously characterized in Horace’s ‘Ars Poetica’ by the dictum ‘ut pictura poesis’ (‘as is painting, so is poetry’). Yet in 1766, Gotthold Ephraim Lessing influentially argued for the limits that condition these different art forms — how could a visual scream ever be rendered linguistically?

The intense and ambivalent relationship between the so-called “sister arts” of poetry and painting has long been a subject of critical enquiry. The multiple tensions and affinities shared by these expressive forms are fruitful topics of a discussion that is currently enjoying a revival both within and beyond academia.

Co-organisers Drs Jasmine Jagger and Jack Parlett invite you to share your thoughts on this relationship for a one-day conference in Oxford. This symposium seeks to ignite and develop critical and trans-historical conversations about the interplay between the sister arts. Contributors may consider, but need not be limited to:

  • Ekphrasis and ekphrastic writing
  • Illustration and other “composite” modes
  • Co- and inter-disciplinarity
  • Gender politics
  • Narrative, time and temporality
  • Tone, texture, and style
  • Questions of form
  • Issues of historicity
  • Interrelations between poetry, painting and other forms (e.g. photography and film)
  • Theories of the visual and the gaze
  • Interpretation and revisionism
  • Colour, mood, affect, and play

 

Proposals are invited for twenty-minute papers, to be delivered as part of panels of three. Individual proposals (of 250 words), and panel proposals (of up to 700 words), for three papers that interact under a common theme, are warmly accepted. Creative responses are also welcome.

The conference’s plenary speakers have been confirmed as Professor T. J. Clark and Dr Kathryn Murphy. Please send proposals to jack.parlett@univ.ox.ac.uk and jasmine.jagger@ell.ox.ac.uk. The deadline for submissions is 30 November 2019. The one-day conference will take place on 23 March 2020 at the Faculty of English, Oxford. For more information, please visit www.poetryandpainting.co.uk. We welcome you to disseminate this CFP widely. This conference is organised in association with the Faculty of English, Oxford.

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