Schools

"The Second of The Three Spirits" or "Scrooge's third Visitor" John Leech 1843 Steel engraving, hand-coloured 12.2 cm x 8.3 cm vignetted Fifth illustration in A Christmas Carol (London: Chapman and Hall, 1843), facing p. 78. The fifth illustration is John Leech's introduction to literature of that "pre-Father Christmas" figure, the Spirit of Christmas Present, not quite sitting on a "couch" or "kind of throne" (77), but decidedly "a jolly Giant, glorious to see; who [bears] a glowing torch, in shape not unlike Plenty's horn" (77). http://www.victorianweb.org/art/illustration/carol/5.html Scanned image and text by Philip V. Allingham.

“The Second of The Three Spirits” or “Scrooge’s third Visitor”
John Leech
1843
Steel engraving, hand-coloured
12.2 cm x 8.3 cm vignetted
Fifth illustration in A Christmas Carol (London: Chapman and Hall, 1843), facing p. 78.
The fifth illustration is John Leech’s introduction to literature of that “pre-Father Christmas” figure, the Spirit of Christmas Present, not quite sitting on a “couch” or “kind of throne” (77), but decidedly “a jolly Giant, glorious to see; who [bears] a glowing torch, in shape not unlike Plenty’s horn” (77). http://www.victorianweb.org/art/illustration/carol/5.html
Scanned image and text by Philip V. Allingham.

Romantic Illustration Network

Educational Workshop on Charles Dickens’s A Christmas Carol

UnivRoehamptonlogo

house-of-illustration-logo-kids-in-the-halls-column-arts-agency

‘Inventing Christmas: Dickens and Illustration’

in partnership with the House of Illustration and Y8 pupils from the Elizabeth Garrett Anderson School

December 3rd, 2015

This project brings together scholary expertise from the University of Roehampton, and curators and practitioners from the House of Illustration, to develop the public impact of the Romantic Illustration Network.

   

Recent Posts

CFP: ‘Poetry & Painting: Conversations’ – An Interdisciplinary Conference; University of Oxford, 23 March 2020

CFP: ‘Poetry & Painting: Conversations’ – An Interdisciplinary Conference;

Faculty of English, University of Oxford, 23 March 2020.

You know how

I feel about painters. I sometimes think poetry

only describes.

Frank O’Hara, ‘John Button Birthday’ (1957)

The supposed similarity between poetry and painting was famously characterized in Horace’s ‘Ars Poetica’ by the dictum ‘ut pictura poesis’ (‘as is painting, so is poetry’). Yet in 1766, Gotthold Ephraim Lessing influentially argued for the limits that condition these different art forms — how could a visual scream ever be rendered linguistically?

The intense and ambivalent relationship between the so-called “sister arts” of poetry and painting has long been a subject of critical enquiry. The multiple tensions and affinities shared by these expressive forms are fruitful topics of a discussion that is currently enjoying a revival both within and beyond academia.

Co-organisers Drs Jasmine Jagger and Jack Parlett invite you to share your thoughts on this relationship for a one-day conference in Oxford. This symposium seeks to ignite and develop critical and trans-historical conversations about the interplay between the sister arts. Contributors may consider, but need not be limited to:

  • Ekphrasis and ekphrastic writing
  • Illustration and other “composite” modes
  • Co- and inter-disciplinarity
  • Gender politics
  • Narrative, time and temporality
  • Tone, texture, and style
  • Questions of form
  • Issues of historicity
  • Interrelations between poetry, painting and other forms (e.g. photography and film)
  • Theories of the visual and the gaze
  • Interpretation and revisionism
  • Colour, mood, affect, and play

 

Proposals are invited for twenty-minute papers, to be delivered as part of panels of three. Individual proposals (of 250 words), and panel proposals (of up to 700 words), for three papers that interact under a common theme, are warmly accepted. Creative responses are also welcome.

The conference’s plenary speakers have been confirmed as Professor T. J. Clark and Dr Kathryn Murphy. Please send proposals to jack.parlett@univ.ox.ac.uk and jasmine.jagger@ell.ox.ac.uk. The deadline for submissions is 30 November 2019. The one-day conference will take place on 23 March 2020 at the Faculty of English, Oxford. For more information, please visit www.poetryandpainting.co.uk. We welcome you to disseminate this CFP widely. This conference is organised in association with the Faculty of English, Oxford.

  1. Mapping Keats’s Progress: A Critical Chronology, by G. Kim Blank 1 Reply
  2. Image of the Month: Keats’s Romantic Assassin,13th September 1819 Leave a reply
  3. Reminder: RIN book launch, Tuesday July 23rd Westminster Archives,6-8.30pm 1 Reply
  4. RIN Summer Event: Book Launch, July 23rd, 6pm Westminster Archives Centre 2 Replies
  5. CfP: Illustration Studies: New Approaches, New Directions Leave a reply
  6. In Memoriam: Jahn Holljen Thon Leave a reply
  7. RIN Members at Nineteenth Century Studies Seminar Leave a reply
  8. Call for Papers: ‘Who Shall Deliver Me?’ Christina Rossetti and the Illustrated Poetry Book Leave a reply
  9. Digital Resource: ‘Democratising Knowledge: Chambers’s Encyclopaedia’ Leave a reply