Shakespeare Gallery

The Romantic Illustration Network Shakespeare Gallery

The Romantic Illustration Network would like to express its gratitude to Professor Fred Burwick, who provided us with the negatives for the high-resolution digital images of the engravings displayed below.

The Boydell Shakespeare Gallery, 1789-1805

An exhibition of paintings devoted exclusively to scenes from the dramatic works of Shakespeare was opened to the London populace in June, 1789. The Shakespeare Gallery was situated in a huge building at 52 Pall Mall. Formerly occupied by Dodsley’s bookshop, the building had been rebuilt under the supervision of George Dance the younger. The exterior was sheathed in copper; the entrance featured a relief of Shakespeare reclining against a rock, with the Dramatic Muse to his right and the Genius of Painting to his left. The exhibition suite on the ground floor was 130 feet long; the three rooms upstairs provided a wall area of over 4,000 square feet for exhibiting the paintings. Obviously there was room for many more than the thirty-four paintings which were displayed for the first visitors. The number of paintings doubled the ensuing year, and each spring an exhibition of newly completed paintings was announced, so that the Shakespeare Gallery, before it finally closed in 1805, eventually housed 167 canvases by thirty-three artists.

[Excerpt from the Introduction to The Boydell Shakespeare Gallery, by Frederick Burwick]

Click on the thumbnails below to access larger versions of the images, and to view the full-sized image. Images are arranged alphabetically by play, and new plays will be added over the coming months, so do keep checking back here.

Mary L. Shannon

Dustin Frazier Wood

Creative Commons Licence
The Romantic Illustration Network Shakespeare Gallery by Frederick Burwick and the Romantic Illustration Network is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Digitised by the University of Roehampton.

UnivRoehamptonlogo


Front Matter to the Boydells’ two-volume Collection of Prints


Antony and Cleopatra


 

 As You Like It


Comedy of Errors


Coriolanus


Cymbeline


Hamlet


Julius Caesar


 

King Henry the Fourth, Part I


King Henry the Fourth, Part II


King Henry the Fifth


King Henry the Sixth, Part I


 

King Henry the Sixth, Part II


 

King Henry the Sixth, Part III


 

King Henry the Eighth


 

King Lear


 

King Richard the Third


 

Measure for Measure


Merchant of Venice


Merry Wives of Windsor


Much Ado About Nothing


Othello


 

Romeo and Juliet


 

 

Taming of the Shrew


The Tempest


Timon of Athens


 

 

Titus Andronicus


 

 

Troilus & Cressida


 

Two Gentlemen of Verona


Recent Posts

Roehampton Research Seminar, 9 December 2020 1-2pm

‘From Fetters to Letters: Illustration and Black Empowerment in the Romantic period’

Fuseli, Henry; Johnson, Joseph; Raimbach, Abraham; Poems by William Cowper, London 1808, vol.I, facing p.375; The Negro Revenged; https://www.royalacademy.org.uk/art-artists/work-of-art/O14489 Credit line: (c) Royal Academy of Arts

English and Creative Writing Research Seminars: Autumn 2020

Wednesday 9 December 1-2pm

Ian Haywood and David Fallon

‘From Fetters to Letters: Illustration and black empowerment in the Romantic period’

https://roehampton-ac-uk.zoom.us/j/87224230938?pwd=d1IxakpMNHhoOHNYVVhkRUloWlJXQT09

Passcode: 664084

  1. Queen Caroline in Caricature -November 1820 1 Reply
  2. Queen Caroline in Caricature – October 1820 2 Replies
  3. Queen Caroline in Caricature – August 2020 1 Reply
  4. Queen Caroline in Caricature – July 1820 1 Reply
  5. Queen Caroline in Caricature: June 1820 1 Reply
  6. 1 Reply
  7. CFP – NASSR 2020 Conference at the University of Toronto – 6-9 August 2020 Leave a reply
  8. Michael Brown on the War Paintings of Charles Bell, Surgeon 2 Replies
  9. CFP: ‘Poetry & Painting: Conversations’ – An Interdisciplinary Conference; University of Oxford, 23 March 2020 1 Reply