Past Events

Romantic Illustration Network

Programme of Events 2014-15

The Political Economy of Book IIlustration. Friday 6 June 2014, 1.30pm – 5pm, British Academy: William St Clair (London IES); Brian Maidment (Liverpool John Moores); Anthony Mandal, Julia Thomas, Nicola Lloyd, and Michael Goodman (Cardiff). Supported by the University of Roehampton. Organised with the assistance of the British Academy. 

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The Artist and the Writer. Saturday 29 November 2014, 10 – 5.35pm, Institute of English Studies (Room 349, 3rd Floor), Senate House, London: Lynn Shepherd (Richardson scholar and novelist), Tim Fulford (De Montfort), Sandro Jung (Ghent); Sophie Thomas (Ryerson, Canada); Ruth Richardson (King’s College London; Cambridge); Mary L. Shannon (Roehampton). Supported by the British Association for Victorian Studies (BAVS), www.bavs.ac.uk, and the University of Roehampton. Organised with the assistance of the Insitute of English Studies.

Registration necessary: click to access the booking system. Places are FREE, but LIMITED.

Download the REVISED programme here.

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The Literary Galleries: Entrepreneurship and Public Art. Friday 27 February 2015, 10 – 5pm, Board Room and Duffield Room, Tate Britain, London: Frederick Burwick (UCLA), Luisa Calè (Birkbeck), Ian Haywood (Roehampton), Rosie Dias (Warwick), Martin Myrone (Tate). Supported by the University of Roehampton and the Bibliographical Society. Organised with the assistance of Tate Britain. 

Listen to the podcasts of the talks here.

Download the final programme here.

Please arrive at the Staff  Entrance by 10am, where you will be directed to the Board Room: download a map of the Tate and travel details here.

Please join us for a drink at the White Swan after the symposium.

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 The Art of Quotation and the Miniaturized Gallery. Saturday 6 June 2015, 10 – 5pm, The House of Illustration, London: Peter Otto (Melbourne), David Worrall (Roehampton/Nottingham Trent), Kate Heard (Royal Collection), Susan Matthews (Roehampton), Bethan Stevens (Sussex). Supported by the University of Roehampton and the Bibliographical Society. Organised with the assistance of House of Illustration.

This session follows two themes:

  1. Miniaturization: Drawing on Peter Otto’s work on virtual culture in the Romantic period, is the illustration a form of virtual gallery? How does visual meaning change when an image is resized?
  2. The Art of Quotation: How were literary quotations used to conceptualise visual images? How important are framing devices to the meaning of an image?

…and other related questions.

Registration is free, and includes free entry to the main exhibition.

Download the programme here. Lunch recommendations from The House Of Illustration are here.

To register, please email Mary.Shannon@roehampton.ac.uk, giving your name, job title, and institution (if applicable). Places will be awarded on a first-come, first-served basis, and there will be a waiting list.

We are also accepting applications for 3 Bibliographical Society Studentships of £60 each, to assist postgraduate students with attendance. 3 spaces are reserved for the successful candidates.

London-based and non-London based postgraduate students are all eligible: applications will be assessed on the basis of the relevance of your research to the work of the Network and/or the Bibliographical Society.

To apply, please send your CV, and a statement explaining how your research fits with the work of the Network and/or the Bibliographical Society (200 words max), to Mary.Shannon@roehampton.ac.uk by Monday 25th May. Successful candidates will be notified by Wednesday 27th May.

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Recent Posts

CFP – NASSR 2020 Conference at the University of Toronto – 6-9 August 2020

Dear Members of the Romantic Illustration Network (RIN):

Greetings! You are invited to submit a paper proposal for the 28th Annual Conference of the North American Society for the Study of Romanticism (NASSR). The NASSR conference, which will take place at the University of Toronto, Ontario on August 6-9, 2020, will bring together 300-400 scholars to discuss literature, philosophy, politics, art, and culture c. 1770-1840.

CONFERENCE WEBSITE: http://sites.utoronto.ca/wincs/nassr2020

Keynote Speakers:
Elizabeth Maddock Dillon (Northeastern University)
Martin Myrone (Tate Britain)

Topics may include (but are not limited to):

  • Re-envisioning Romanticism: looking back and looking forward 
  • Visions and the visionary: perception, prognostication, projection, speculation, the speculative
  • Ways of looking: reading, conceptualizing, observing, peeping, gazing, categorizing, examining, recognizing and misrecognizing
  • Visual culture, philosophy, and aesthetics: objects of sight, spectacle, the spectacular, the sublime and the beautiful
  • Reading methods and histories: careful, close, distant, surface; plagiarism, copyright law
  • Print culture in its social, theoretical, and physical aspects (e.g. text, design, structure, layout); manuscripts, letters, journals, scrapbooks, books, journals, newspapers
  • The seen and the unseen: noumena, phenomena, the spirit world, apparitions and appearances
  • Romantic iconoclasm and anti-representationalism; ocularcentrism and “the tyranny of the eye”
  • Visual communication: text, numbers, notation (e.g. musical), images, sign language, placards, banners, flags, gestures, hieroglyphs, emblems, insignia
  • Questions of form and representation 
  • Fashionable looking: costume, hair, makeup, manner, style, taste, places to see and be seen
  • Visualizing gender and sexuality: identity, performance, politics 
  • Visual and scenic arts: sculpture, painting, illustration, graphic satire, print shops, pornography, broadsheets, dioramas, panoramas, architectural and landscape design
  • Theatre and performing arts: set design, lighting, visual effects, costume, body movement, dance, pantomime, attitudes, tableaux vivants
  • Art collection and assessment: museums and curation, connoisseurship, formal and evaluative concerns (e.g. light, color, pattern, shape, scale, proportion)
  • Visualizing class: social hierarchies and signifiers (e.g. clothing, heraldry, pageantry), occupational and economic segregation
  • Instruments of looking: lenses, spectacles, quizzing glasses, spy glasses, Claude glasses, prisms, mirrors, telescopes, microscopes, orreries, windows
  • Forms of illumination and darkness: lightning, electricity, candlelight, lamps, gas light, spotlights, limelight, torches, fireworks; shade, shadow, twilight, gloom, obscurity
  • Religious vision(s): prophecy, revelation, enthusiasm, sermons and hymns, public and private devotion, natural and revealed religion
  • The science of the eye: vision, optics, visual anatomy, medicine, pathology, disability, blindness
  • Data visualization (e.g. land, economy, population studies): mapping, cartography, geography, geolocation, charts, diagrams, categorization, numerical and pictorial statistics
  • Visualizing race: slavery, racism, racialization, minoritization 
  • Vision and ecopoetics: seeing nature (vistas, prospects, the picturesque); noticing and reading features of land, water, and sky; watching weather and recognizing climate; the animal gaze
  • Envisioning space and place: the local and the global, home and abroad, the peripheral and transperipheral
  • Envisioning (the ends of) empire: imperialism, colonialism, sites and sights of war; decolonization, indigenization
  • Political and military forecasting, strategy, optics, campaigns, battlegrounds, political theatre
  • Imagining the future of Romanticism; strategizing its work in the humanities, in the university, and in society

EMAIL CONTACT: nassr2020vision@gmail.com

POSTER: Please see attached and share widely.

**The deadline for general submissions is 24 January 2020.**

We look forward to receiving your proposals!

Sincerely Yours,
Terry F. Robinson (and on behalf of John Savarese and the NASSR 2020 conference committee)
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