Past Events

Romantic Illustration Network

Programme of Events 2014-15

The Political Economy of Book IIlustration. Friday 6 June 2014, 1.30pm – 5pm, British Academy: William St Clair (London IES); Brian Maidment (Liverpool John Moores); Anthony Mandal, Julia Thomas, Nicola Lloyd, and Michael Goodman (Cardiff). Supported by the University of Roehampton. Organised with the assistance of the British Academy. 

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The Artist and the Writer. Saturday 29 November 2014, 10 – 5.35pm, Institute of English Studies (Room 349, 3rd Floor), Senate House, London: Lynn Shepherd (Richardson scholar and novelist), Tim Fulford (De Montfort), Sandro Jung (Ghent); Sophie Thomas (Ryerson, Canada); Ruth Richardson (King’s College London; Cambridge); Mary L. Shannon (Roehampton). Supported by the British Association for Victorian Studies (BAVS), www.bavs.ac.uk, and the University of Roehampton. Organised with the assistance of the Insitute of English Studies.

Registration necessary: click to access the booking system. Places are FREE, but LIMITED.

Download the REVISED programme here.

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The Literary Galleries: Entrepreneurship and Public Art. Friday 27 February 2015, 10 – 5pm, Board Room and Duffield Room, Tate Britain, London: Frederick Burwick (UCLA), Luisa Calè (Birkbeck), Ian Haywood (Roehampton), Rosie Dias (Warwick), Martin Myrone (Tate). Supported by the University of Roehampton and the Bibliographical Society. Organised with the assistance of Tate Britain. 

Listen to the podcasts of the talks here.

Download the final programme here.

Please arrive at the Staff  Entrance by 10am, where you will be directed to the Board Room: download a map of the Tate and travel details here.

Please join us for a drink at the White Swan after the symposium.

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 The Art of Quotation and the Miniaturized Gallery. Saturday 6 June 2015, 10 – 5pm, The House of Illustration, London: Peter Otto (Melbourne), David Worrall (Roehampton/Nottingham Trent), Kate Heard (Royal Collection), Susan Matthews (Roehampton), Bethan Stevens (Sussex). Supported by the University of Roehampton and the Bibliographical Society. Organised with the assistance of House of Illustration.

This session follows two themes:

  1. Miniaturization: Drawing on Peter Otto’s work on virtual culture in the Romantic period, is the illustration a form of virtual gallery? How does visual meaning change when an image is resized?
  2. The Art of Quotation: How were literary quotations used to conceptualise visual images? How important are framing devices to the meaning of an image?

…and other related questions.

Registration is free, and includes free entry to the main exhibition.

Download the programme here. Lunch recommendations from The House Of Illustration are here.

To register, please email Mary.Shannon@roehampton.ac.uk, giving your name, job title, and institution (if applicable). Places will be awarded on a first-come, first-served basis, and there will be a waiting list.

We are also accepting applications for 3 Bibliographical Society Studentships of £60 each, to assist postgraduate students with attendance. 3 spaces are reserved for the successful candidates.

London-based and non-London based postgraduate students are all eligible: applications will be assessed on the basis of the relevance of your research to the work of the Network and/or the Bibliographical Society.

To apply, please send your CV, and a statement explaining how your research fits with the work of the Network and/or the Bibliographical Society (200 words max), to Mary.Shannon@roehampton.ac.uk by Monday 25th May. Successful candidates will be notified by Wednesday 27th May.

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Recent Posts

CFP: ‘Poetry & Painting: Conversations’ – An Interdisciplinary Conference; University of Oxford, 23 March 2020

CFP: ‘Poetry & Painting: Conversations’ – An Interdisciplinary Conference;

Faculty of English, University of Oxford, 23 March 2020.

You know how

I feel about painters. I sometimes think poetry

only describes.

Frank O’Hara, ‘John Button Birthday’ (1957)

The supposed similarity between poetry and painting was famously characterized in Horace’s ‘Ars Poetica’ by the dictum ‘ut pictura poesis’ (‘as is painting, so is poetry’). Yet in 1766, Gotthold Ephraim Lessing influentially argued for the limits that condition these different art forms — how could a visual scream ever be rendered linguistically?

The intense and ambivalent relationship between the so-called “sister arts” of poetry and painting has long been a subject of critical enquiry. The multiple tensions and affinities shared by these expressive forms are fruitful topics of a discussion that is currently enjoying a revival both within and beyond academia.

Co-organisers Drs Jasmine Jagger and Jack Parlett invite you to share your thoughts on this relationship for a one-day conference in Oxford. This symposium seeks to ignite and develop critical and trans-historical conversations about the interplay between the sister arts. Contributors may consider, but need not be limited to:

  • Ekphrasis and ekphrastic writing
  • Illustration and other “composite” modes
  • Co- and inter-disciplinarity
  • Gender politics
  • Narrative, time and temporality
  • Tone, texture, and style
  • Questions of form
  • Issues of historicity
  • Interrelations between poetry, painting and other forms (e.g. photography and film)
  • Theories of the visual and the gaze
  • Interpretation and revisionism
  • Colour, mood, affect, and play

 

Proposals are invited for twenty-minute papers, to be delivered as part of panels of three. Individual proposals (of 250 words), and panel proposals (of up to 700 words), for three papers that interact under a common theme, are warmly accepted. Creative responses are also welcome.

The conference’s plenary speakers have been confirmed as Professor T. J. Clark and Dr Kathryn Murphy. Please send proposals to jack.parlett@univ.ox.ac.uk and jasmine.jagger@ell.ox.ac.uk. The deadline for submissions is 30 November 2019. The one-day conference will take place on 23 March 2020 at the Faculty of English, Oxford. For more information, please visit www.poetryandpainting.co.uk. We welcome you to disseminate this CFP widely. This conference is organised in association with the Faculty of English, Oxford.

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