CfP: Association of Art Historians 2017

AAH2017 

43rd Annual Conference and Art Book Fair

Loughborough University

6 – 8 April 2017

Deadline for Proposals: 7 November 2016

 

AAH2017’s Call for Papers includes two sessions of interest to RIN’s members, readers and followers:

 

Prints in Books: the materiality, art history and collection of illustrations

Convenor: Elizabeth Savage, Cambridge University, leu21@cam.ac.uk

 

Speculative Libraries

Convenor: Nick Thurston, University of Leeds, n.thurston@leeds.ac.uk

 

Please email your paper proposals straight  to the session convenor(s). Provide a title and abstract for a 25 minute paper (max 250 words). Include your name, affiliation and email. Your paper title should be concise and accurately reflect what the paper is about (it should ‘say what it does on the tin’) because the title is what appears most first and foremost online, in social media and in the printed programme.

You should receive an acknowledgement of receipt of your submission within two weeks.

 

Applications open: Amy P. Goldman Fellowship in Pre-Raphaelite Studies

Amy P. Goldman Fellowship in Pre-Raphaelite Studies

Deadline to apply November 1, 2016
The University of Delaware Library, in Newark, Delaware, and the Delaware Art Museum are pleased to offer a joint Fellowship in Pre-Raphaelite studies, funded by the Amy P. Goldman Foundation. This one-month Fellowship, awarded annually, is intended for scholars conducting significant research in the lives and works of the Pre-Raphaelites and their friends, associates, and followers.  Research of a wider scope, which considers the Pre-Raphaelite movement and related topics in relation to Victorian art and literature, and cultural or social history, will also be considered. Projects which provide new information or interpretation—dealing with unrecognized figures, women writers and artists, print culture, iconography, illustration, catalogues of artists’ works, or studies of specific objects—are particularly encouraged, as are those which take into account transatlantic relations between Britain and the United States. Applicants whose research specifically utilizes holdings of the University of Delaware Library, the Mark Samuels Lasner Collection, the Delaware Art Museum, and the Helen Farr Sloan Library and Archives, are preferred.

A stipend of $3,000 is available for the one-month Fellowship. Housing will be provided. Personal transportation is recommended (but not mandatory) in order to fully utilize the resources of both institutions.

The Fellowship is intended for those who hold a Ph.D. or can demonstrate equivalent professional or academic experience. Applications from independent scholars and museum professionals are welcome. By arrangement with the Yale Center for British Art, New Haven, CT, scholars may apply to each institution for awards in the same year; every effort will be made to offer consecutive dates.

The deadline to apply for the 2017 Fellowship is November 1, 2016. Notification of the successful applicant will be announced by December 1, 2016. The chosen candidate will then be asked to provide a date for assuming the Fellowship by January 1, 2017.

If you have any questions or would like to request more information, please contact:

Margaretta S. Frederick
Pre-Raphaelite Fellowship Committee
Direct line: 302.351.8518
E-mail: fellowships@delart.org

RIN Summer event: ‘Staging Shakespeare’, Professor Frederick Burwick, Westminster Archives Centre, July 19th 2016

RIN’s summer event took place on one of the hottest evenings of the year, but a great crowd turned out to hear Frederick Burwick’s public lecture ‘Staging Shakespeare: picturing Shakespeare’s plays in the 18th and 21st centuries’.

A renowned expert on the Boydell Shakespeare Gallery, Burwick’s starting point was the question: what relevance are the Boydell prints to the staging of Shakespeare?

His answer, in contrast to Richard Altick’s (in Painting From Books, 1985) is: quite a lot.

Burwick picked out 27 images which showed that many (not all) of the Boydell prints in fact have a close affinity with what a London audience might have witnessed on stage at the end of the 1700s.

He showed that, because many of the original paintings were done by artists who were also scene painters, the prints are a useful guide to what the 18th century stage would have looked like. Northcott and others asked actors such as Kemble to pose in their studios in role, and the paintings conform to the language of gesture in use on the stage at that time.

Indeed, Burwick’s lecture made it clear that the Boydell images remained an influence on subsequent Shakespeare productions, as Burwick drew comparisons with 20th and 21st century stagings.

At the wine reception (sponsored by the British Association for Romantic Studies) after the lecture, attendees were able to look at the digitized Shakespeare Gallery prints donated to RIN by Burwick, and also at items from the Westminster Archives extensive Theatre collection.

 

 

Reminder: RIN’s summer event, ‘Staging Shakespeare’, London July 19th

‘Staging Shakespeare: picturing Shakespeare’s plays in the 18th and 21st centuries’.
Professor Fred Burwick, University of California Los Angeles

Tuesday 19th July 2016
6.30pm – 8pm
City of Westminster Archives Centre, 10 St Ann’s St, London, SW1P 2DE

Join us for an event to celebrate Shakespeare’s 400th Anniversary, with a free public lecture followed by a wine reception (sponsored by the British Association for Romantic Studies).

Download the poster at https://romanticillustrationnetwork.wordpress.com/2016/05/03/rin-event-fred-burwick-staging-shakespeare-public-lecture-at-westminster-archives-july-19th-2016/.

 

RIN member Fred Burwick will share his expert knowledge of the Boydell Shakespeare Gallery, opened in Pall Mall in 1789. The talk will examine the extent to which any of the scenes in the Boydell Gallery might be presumed to represent how Shakespeare was actually performed during the period, and also consider present-day models of representation.

Prints from the Gallery will be on view, as well as a display about Shakespeare.

To book, contact: City of Westminster Archives Centre, 10 St Ann’s St,London, SW1P 2DE
Tel: 020 7641 5180
Email: archives@westminster.gov.uk

 

RIN members: request for help

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Dear All,

Thank you so much for continuing to be part of the Romantic Illustration Network, and for following the RIN blog.

We are interested in how membership of RIN has impacted upon the work and interests of all our members who are not university academics: artists, illustrators, independent scholars and everyone with a general interest in visual culture and/or illustration etc.

Has a post on this site generated any new ideas for you? Have you visited an exhibition advertised on the blog? Have you been inspired by something you heard about via RIN? We’d love to hear from you!

Drop me a sentence or two at Mary.Shannon@roehampton.ac.uk, and I will make sure future posts contain more of the info that you find useful and exciting.

 

AHRC Collaborative Doctoral Partnership: Fully-funded PhD studentship

AHRC Collaborative Doctoral Partnership: Fully-funded PhD studentship

Modern Mistresses on the Old Masters: nineteenth-century women writers on western European art – their networks and influence

Birkbeck, University of London (School of Arts)

The National Gallery, London

Application Deadline: 12 noon, 22nd April 2016.

Applications are invited for an AHRC-funded PhD studentship on the role of women as disseminators of knowledge about the Old Masters, focusing especially on those who induced a greater interest in the collection at Trafalgar Square. It explores the social and cultural history of the Gallery’s present-day efforts to democratize access to its collections and reach new audiences by examining the understudied critical and art-historical writings of nineteenth-century women, which typically had a more popular reach than that of their male counterparts while also speaking to specialists, then and now.

This studentship is one of a number awarded to the National Gallery, as part of the AHRC’s new Collaborative Doctoral Partnership Scheme.

The supervisors of the project have identified the following issues for research, although the student has the scope to develop both the topic and approach, in conjunction with the supervisors.

What contribution did Victorian women writers make to scholarship on the Old Masters in the National Gallery’s collection? Did women tend to write about particular artists and periods, and if so why? Did their work affect the canon? How was their work received, and what was its reputation? What has been the subsequent fortuna critica? How might it speak to modern audiences?

Through what networks were these women connected with the National Gallery? How important to their success were such networks and relationships? To what extent did these women’s writings affect acquisition and collecting behaviours at the National Gallery and in the private sphere? Were their opinions taken seriously by the institutional art world? What forms did the work of women writers take, and to what audiences was it was addressed? What was the effect of their cross over between different genres and media? What was the role of the penny press in widening access to the Old Masters in the mid nineteenth century? Were women writers interested in the role of the National Gallery and other art institutions as places of advocacy for mass education?

This project will be supervised by Professor Hilary Fraser, Geoffrey Tillotson Chair in Nineteenth-Century Studies and Dean of Arts at Birkbeck, University of London, whose recent work focuses on women writers and the emergence of art history in the nineteenth century, and Dr Susanna Avery-Quash, Senior Research Curator in the History of Collecting at the National Gallery, whose research interests encompass the history of important private and public art collections.

This studentship will provide the student with invaluable academic skills and experience of working in a major national art museum, as well as deep understanding of women and nineteenth-century approaches to the Old Masters. It will involve the student in a range of interdisciplinary research activities, drawing on archival and primary textual material, various types of art collections and the resources of the National Gallery and Birkbeck.

In addition to working directly on the PhD thesis, it is envisaged that the student will also be engaged in a range of related activities, such as the delivery of research papers, assisting with conference organization, and contributing to a Room 1/Sunley Room exhibition at the National Gallery. She or he will also be expected to play a full role in the research cultures of both institutions.

For application details, please visit:
http://www.bbk.ac.uk/arts/research/research-bursaries-studentships-funding/ahrc-collaborative-doctoral-award-fully-funded-phd-studentship

Symposium, The Courtauld Institute of Art: Frazzled and Dazzled

Scrambled Messages Symposium: Frazzled and Dazzled

Friday April 29th 2016

Organised by: Prof. Caroline Arscott, The Courtauld Institute of Art

Free admission

Advanced booking required via eventbrite

Frazzled and Dazzled brings together scholars from literature, art history, media studies and archaeology to focus on the flow of data and scrambling of information as historical sites take on new functions, imagery reaches new audiences and social and natural appearances are understood to be liable to blur and deceive.  Nineteenth-century instances are considered alongside key contemporary phenomena.  The day will offer broad-ranging discussions of photography, newspaper illustration, and other aspects of communications technology as well as the bafflements and reveals to be found in Victorian detective fiction and evolutionary theory.  This symposium is organised by the research project ‘Scrambled Messages: the Telegraphic Imaginary, 1858-1900’ funded by the AHRC and focusing on the cultural effects of telegraphic technology.

Please see http://courtauld.ac.uk/event/frazzled-and-dazzled for further details and booking.