RIN Summer event: ‘Staging Shakespeare’, Professor Frederick Burwick, Westminster Archives Centre, July 19th 2016

RIN’s summer event took place on one of the hottest evenings of the year, but a great crowd turned out to hear Frederick Burwick’s public lecture ‘Staging Shakespeare: picturing Shakespeare’s plays in the 18th and 21st centuries’.

A renowned expert on the Boydell Shakespeare Gallery, Burwick’s starting point was the question: what relevance are the Boydell prints to the staging of Shakespeare?

His answer, in contrast to Richard Altick’s (in Painting From Books, 1985) is: quite a lot.

Burwick picked out 27 images which showed that many (not all) of the Boydell prints in fact have a close affinity with what a London audience might have witnessed on stage at the end of the 1700s.

He showed that, because many of the original paintings were done by artists who were also scene painters, the prints are a useful guide to what the 18th century stage would have looked like. Northcott and others asked actors such as Kemble to pose in their studios in role, and the paintings conform to the language of gesture in use on the stage at that time.

Indeed, Burwick’s lecture made it clear that the Boydell images remained an influence on subsequent Shakespeare productions, as Burwick drew comparisons with 20th and 21st century stagings.

At the wine reception (sponsored by the British Association for Romantic Studies) after the lecture, attendees were able to look at the digitized Shakespeare Gallery prints donated to RIN by Burwick, and also at items from the Westminster Archives extensive Theatre collection.

 

 

Reminder: RIN’s summer event, ‘Staging Shakespeare’, London July 19th

‘Staging Shakespeare: picturing Shakespeare’s plays in the 18th and 21st centuries’.
Professor Fred Burwick, University of California Los Angeles

Tuesday 19th July 2016
6.30pm – 8pm
City of Westminster Archives Centre, 10 St Ann’s St, London, SW1P 2DE

Join us for an event to celebrate Shakespeare’s 400th Anniversary, with a free public lecture followed by a wine reception (sponsored by the British Association for Romantic Studies).

Download the poster at https://romanticillustrationnetwork.wordpress.com/2016/05/03/rin-event-fred-burwick-staging-shakespeare-public-lecture-at-westminster-archives-july-19th-2016/.

 

RIN member Fred Burwick will share his expert knowledge of the Boydell Shakespeare Gallery, opened in Pall Mall in 1789. The talk will examine the extent to which any of the scenes in the Boydell Gallery might be presumed to represent how Shakespeare was actually performed during the period, and also consider present-day models of representation.

Prints from the Gallery will be on view, as well as a display about Shakespeare.

To book, contact: City of Westminster Archives Centre, 10 St Ann’s St,London, SW1P 2DE
Tel: 020 7641 5180
Email: archives@westminster.gov.uk

 

RIN event: Fred Burwick, ‘Staging Shakespeare’, public lecture at Westminster Archives July 19th 2016

‘Staging Shakespeare: picturing Shakespeare’s plays in the 18th and 21st centuries’.
Professor Fred Burwick, University of California Los Angeles

Tuesday 19th July 2016
6.30pm – 8pm
City of Westminster Archives Centre, 10 St Ann’s St, London, SW1P 2DE

Join us for an event to celebrate Shakespeare’s 400th Anniversary, with a free public lecture followed by a wine reception (sponsored by the British Association for Romantic Studies). Download the poster here.

RIN member Fred Burwick will share his expert knowledge of the Boydell Shakespeare Gallery, opened in Pall Mall in 1789. The talk will examine the extent to which any of the scenes in the Boydell Gallery might be presumed to represent how Shakespeare was actually performed during the period, and also consider present-day models of representation.

Prints from the Gallery will be on view, as well as a display about Shakespeare.

Places are limited so early bookings are advised: RSVP to City of Westminster Archives Centre, 10 St Ann’s St,London, SW1P 2DE
Tel: 020 7641 5180
Email: archives@westminster.gov.uk

RIN members: request for help

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Dear All,

Thank you so much for continuing to be part of the Romantic Illustration Network, and for following the RIN blog.

We are interested in how membership of RIN has impacted upon the work and interests of all our members who are not university academics: artists, illustrators, independent scholars and everyone with a general interest in visual culture and/or illustration etc.

Has a post on this site generated any new ideas for you? Have you visited an exhibition advertised on the blog? Have you been inspired by something you heard about via RIN? We’d love to hear from you!

Drop me a sentence or two at Mary.Shannon@roehampton.ac.uk, and I will make sure future posts contain more of the info that you find useful and exciting.

 

A Christmas Workshop: RIN/House of Illustration Partnership

Anna Glendenning is a PhD candidate from Roehampton’s Centre for Research in Romanticism, who works on caricature. She reports here on the Romantic Illustration Network’s collaboration with the House of Illustration on a workshop for Y8 pupils, supported by the University of Roehampton.

On Thursday 3rd December, the House of Illustration in King’s Cross London was home to an exciting day of collaboration between local schoolchildren, RIN member Dr. Mary L. Shannon from the University of Roehampton, and professional illustrator Merlin Evans.

A group of thirty girls aged 12-13 (from Elizabeth Garrett Anderson School in Islington) braved a suitably chilly winter’s morning to visit the House of Illustration, where they immersed themselves in a special workshop on Dickens’s A Christmas Carol .  I also got to help out: it was hugely enjoyable to be part of such an inspiring day of interdisciplinary fun. For the full photostory, see http://www.roehampton.ac.uk/Courses/English-and-Creative-Writing/News/There-s-no-Bah-Humbug-this-Christmas-for-pupils-at-illustration-workshop/.

Dickens’ text has long been a favourite in English classrooms, but it was the aim of this collaboration to give the girls a unique opportunity to explore the crucial role of illustrations – both conceptually and creatively – with two experts.

The HOI’s learning programme, with Head of Education Emily Jost at its helm, is dedicated to bringing illustrations into the limelight. Its core aim is to enhance knowledge of and confidence in visual communication for all. The Romantic Illustration Network (RIN) shares this enthusiasm. RIN’s project to restore the importance of visual culture in the Romantic period involves a commitment to sharing and to promoting access to the research it undertakes.

Mary Shannon, who specializes in Victorian print culture and is a Dickens expert, led a lively session. By contrasting different illustrations of Scrooge with Dickens’s narrative, trying out their own sketches, and learning from Shannon about Victorian Christmas traditions, the girls contributed lots of compelling thoughts and critiques, expanding their understanding of the relationship between illustrations and Dickens’s text.

After taking a look at the House of Illustration’s current exhibition, the girls returned to the studio for a special session with Merlin Evans. Evans brought in tools from her trade and shared some different techniques of collage-making and line work to help the girls to get to grips with the material qualities of producing images. The girls rummaged through photocopies of Victorian illustrations and had the chance to try out the new drawing methods Evans had demonstrated. The results were exquisite. The girls were able to compare their work with the earlier sketches they had made – a great way to show how their understanding of Scrooge’s character had developed over the course of the workshop, and, hopefully, to boost their illustration skills and confidence into the future.

Future collaborative workshops involving RIN’s Professor Ian Haywood (Roehampton) and Dr Susan Matthews (Roehampton) are in the pipeline, so watch this space in the New Year!

Anna Glendenning

NEW Online Resource: The Romantic Illustration Network Shakespeare Gallery

Announcing: The Romantic Illustration Network Shakespeare Gallery
 
Ready for the 2016 anniversary of Shakespeare’s birth, the Romantic Illustration Network is delighted to announce its digitisation of prints from Boydell’s Shakespeare Gallery, courtesy of negatives provided by Professor Frederick Burwick (UCLA).
 
The Boydell Shakespeare Gallery was open to the public on London’s Pall Mall from 1789 to 1805. Featuring paintings of scenes from Shakespeare by major artists of the day, including Fuseli, Reynolds, and Kauffmann, the gallery was a popular if not a financial success.
 
Prints of the paintings were published in volumes (as well as in an illustrated edition of Shakespeare), and are now digitised here by the University of Roehampton for use under a Creative Commons license. Images are arranged alphabetically by play, and new plays will be added over the coming months, so do keep checking back on the site. We have also digitised the front matter from the volumes.
 
Click on the thumbnails to access larger versions of the images, and to view the full-sized image. Once you have clicked on a thumbnail there is space to add comments on each image, and we very much encourage you to do so.
 
If you have any feedback, questions, or suggestions, please do let us know.
 

Musings on the Romantic Illustration Network: The Story So Far

This year, facilitating the Romantic Illustration Network has taught me three things: be ready shift furniture and sweep floors at 9am in your best conference jacket; never underestimate the importance of the well-timed tea break; and the most important work is often done in the pub after the symposium, so always choose a good watering-hole and book a large table. It’s been a great pleasure developing the Network and getting to know the regulars and the new faces who attend each event. I’ve become familiar with the inside workings of the British Academy, the Tate, and the House of Illustration, and I now have a really good sense of the goals and constraints of what are often loosely termed ‘heritage organisations’. It’s exciting to see, particularly after our recent event on Saturday June 6th, how our convivial gatherings, individual research papers, and gallery tours are actually building towards an understanding of shared interests and emerging research questions. Intellectually the awareness of a shared agenda and new theoretical approaches is growing, and alongside this, there is now a real sense of the Network as a collaborative international team of scholars. I hope we can continue to build on this. The great strength of the network is, I think, that relationships have been built both in person and virtually. The website and blog goes from strength to strength, with more than 6700 views in over 25 countries. We are currently developing a digitised gallery of 18th century prints of scenes from Shakespeare, courtesy of a generous donation from Frederick Burwick at UCLA. These beautiful high-definition images will be ready for the Shakespeare 2016 commemorations. I’ve enjoyed keeping in touch with network members via the blog: I post news of CFPs and events, but also useful resources and members’ research: ‘Image of the Month’ is a popular series of posts. RIN members are a collegiate bunch. The Network events have shaped my own research in unexpected ways: I never imagined I’d write a scholarly article about Dickens’s chair, for example. Most importantly, they have been great fun: as someone said to me at the recent symposium, ‘Why don’t we do this every week?’. Why don’t we, indeed.