In conversation with… Ian Hislop

Ian Hislop, satirist, broadcaster, historian, and editor of Private Eye, chats to Roehampton’s Dr Mary L. Shannon about his new radio play ‘Trial by Laughter’ (co-written with Nick Newman) which dramatizes the trial of William Hone for libel in 1817, press freedom, and the importance of satirical images in the nineteenth century.

Click here to access the podcast and to get the full story.

Mary L. Shannon and Ian Hislop Private Eye

Lewis Walpole Library New Exhibition: “James Gillray’s Hogarthian Progresses”

“James Gillray’s Hogarthian Progresses”

Exhibition on view April 6 – September 16

The Lewis Walpole Library

154 Main Street, Farmington, CT 06032

Sequential narration in satiric prints is most famously associated with the “modern moral subjects” of William Hogarth (1697–1764): Harlot’s Progress (1732), A Rake’s Progress (1735), Marriage A-la-Mode (1745), and Industry and Idleness (1747) among others. HP_publicity-images_enews-lg-1Less well-known is the broad spectrum of legacy “progresses” produced by subsequent generations drawing both on Hogarth’s narrative strategies and his iconic motifs. James Gillray (1756–1815), celebrated for his innovative single-plate satires, was also among the most accomplished printmakers to adopt Hogarthian sequential narration even as he transformed it according to his unique vision. This exhibition presents a number of Gillray’s Hogarthian progresses alongside some selected prints by Hogarth himself.

Curated by Cynthia Roman, Curator of Prints, Drawings, and Paintings, The Lewis Walpole Library.

Exhibition open Wednesdays, 2-4:30 pm, and by appointment

Further information about the exhibition and associated programming