The Sherborne House Macready-Dickens screen

The Centre for Victorian Literature and Culture at the University of Kent is pleased to announce the launch of its website for display of the Sherborne House Macready-Dickens screen at https://www.kent.ac.uk/macready/index.html

The Macready-Dickens screen is a four-leaf, folding scrap-work screen that was created at Sherborne House, Dorset, by William Macready and Charles Dickens (according to family report) in the 1850s. The screen was donated to the Trustees of Sherborne House by Sir Nevil Macready. It has just been restored and conserved and will shortly go on display at the Sherborne Museum. Covered with almost 500 images cut from prints, it provides a unique window onto the world of nineteenth-century theatrical, literary, historical and political cultures. Approximately 70% of the images have so far been identified.

The website has been created to provide for public display of the screen. It enables users to study individual images in detail and provides research information about them where it is available. It forms an ongoing resource for anyone interested in Macready, Dickens or the ways in which Victorian objects relate to the lives of those who owned or made them.

For further information, please contact Professor Cathy Waters at c.waters@kent.ac.uk

Prize-winning animation of Blake’s ‘The Tyger’ by Y12 student

Radheya Jegatheva, a Year 12 student at Perth Modern School, Australia, has created a prize-winning animation of William Blake’s ‘The Tyger’:

The Tyger

https://www.youtube.com/watch?v=AUqowAVgZxA&feature=youtu.be

Narration is by Jay Jay Jegathesan.

It’s a beautiful short film (great for introducing students to Blake) which has just won the following awards:

BEST FILM – Asiagraph Reallusion 2016 3D Film Competition (Taiwan)
BEST JUNIOR SHORT FILM – Warburton Film Festival (Victoria, Australia)
BEST AUSTRALIAN FILM, Summer 2016 – Sydney World Film Festival (Sydney, Australia)

Changing of the Guard: RIN Postdoc advertised, deadline 11 July 2016

Dear all,

Having started and run this blog for two years, I’m moving to pastures new(ish): I have been appointed a permanent lecturer in the English & Creative Writing Department here at Roehampton from September 1st, and so the position of RIN Postdoc and Network Facilitator is now being advertised for someone else to take on.

Thank you for following the blog, for your comments and likes, for your emails and suggestions, for attending RIN events, for giving papers, for writing chapters for ‘Romantic Illustration’ (edited collection, forthcoming) and for generally being a lively and supportive intellectual community. Long may this continue.

I’ll still be part of RIN, but I will be passing the torch of organising and facilitating to someone new in September. The job advert is here, with a deadline of July 11.

Best wishes,

Mary

CFP: Object Matters: Making Memory: material and visual culture of commemoration in Ireland c.1800 – 2016

CFP: ‘Object Matters: Making Memory: material and visual culture of commemoration in Ireland c.1800 – 2016’

13-15 October 2016

National Gallery of Ireland, Merrion Square, Dublin 2

Funded by the Irish Research Council ‘New Foundations’ Scheme

Deadline for proposals 12 July, 2016

Proposals of c.300 words accompanied by a short CV are invited for 20-minute papers related to the material and visual culture of commemoration in Ireland from c.1800 to the present day. Please email to makingmemory@ncad.ie.

This cross-disciplinary conference will address how objects, images, artworks, buildings, spaces and bodies have worked and been understood in the creation and maintenance of public and private memory in Ireland since c.1800. While topics might include key personages and events such as World War 1, the Irish Civil War and the Manchester Martyrs, we also encourage proposals that address the commemoration of lesser-known histories.

Commemorative culture might encompass events such as ceremonies and parades, artefacts such as souvenirs or artworks, institutional practices such as collecting and exhibiting, particular sites such as commemorative buildings, graveyards and ceremonial spaces, and private modes of visual and material remembrance such as domestic mnemonic objects.

The conference should contribute to our understanding of how ideas about the past have been visualised, manufactured, articulated, materialised, distributed and performed.

Proposals are welcomed from researchers and practitioners across various fields including Art practice, Archaeology, Anthropology, Geography, Architectural History, History of Design, Material Culture, Visual Culture, Memory Studies, Museum Studies, Art History, History of Media, Cultural History, Sociology and Critical theory. A publication is planned based on the conference proceedings. For the proceedings of the first Object Matters conference Making 1916: material and visual culture of the Easter Rising, see http://liverpooluniversitypress.co.uk/products/60501.

Deadline July 12, 2016. Participants will be notified by July 22.

Conference Convenor Dr. Lisa Godson, National College of Art & Design

Conference Administrator Kate Butler, BL

Supported by the National College of Art and Design + University College Dublin Centre for Creative Arts and Critical Cultures / National Gallery of Ireland/Irish Museums Association / Irish Architecture Foundation / GradCAM

Enquiries and proposals should be directed to: makingmemory@ncad.ie

Reminder: RIN’s summer event, ‘Staging Shakespeare’, London July 19th

‘Staging Shakespeare: picturing Shakespeare’s plays in the 18th and 21st centuries’.
Professor Fred Burwick, University of California Los Angeles

Tuesday 19th July 2016
6.30pm – 8pm
City of Westminster Archives Centre, 10 St Ann’s St, London, SW1P 2DE

Join us for an event to celebrate Shakespeare’s 400th Anniversary, with a free public lecture followed by a wine reception (sponsored by the British Association for Romantic Studies).

Download the poster at https://romanticillustrationnetwork.wordpress.com/2016/05/03/rin-event-fred-burwick-staging-shakespeare-public-lecture-at-westminster-archives-july-19th-2016/.

 

RIN member Fred Burwick will share his expert knowledge of the Boydell Shakespeare Gallery, opened in Pall Mall in 1789. The talk will examine the extent to which any of the scenes in the Boydell Gallery might be presumed to represent how Shakespeare was actually performed during the period, and also consider present-day models of representation.

Prints from the Gallery will be on view, as well as a display about Shakespeare.

To book, contact: City of Westminster Archives Centre, 10 St Ann’s St,London, SW1P 2DE
Tel: 020 7641 5180
Email: archives@westminster.gov.uk

 

Angelica Kauffman (1741-1807): the artist as businesswoman

Reveries Under the Sign of Austen, Two

National Trust; (c) Saltram; Supplied by The Public Catalogue Foundation
Angelica Kauffman, Hector Taking leave of Andromache (1768)

‘All I possess has been attained by my work and industry … ‘ (from Angelica Goddden’s Miss Angel, Kauffman)

Friends and readers,

I return to my series of blogs on women artists. Thus far in this second round, we’ve looked at Giovanna Garzoni (1600-70), Strange and magnificent still lifes; Sofonsiba and Lucia Anguissola (1535/6-1625; 1546/8-1565), Sober, contemplative and self-aware portraits; and Mary Beale(1633-99), An unknown famous Restoration painter. As in the first series I can’t ignore altogether those women artists whose work has been paid a great deal of attention to, at least at times, and if not uniformly respectfully. So we come to Angelica Kauffman, one of two women to help found and be inducted into the Royal Academy of Art in England.

selfportrait
A self-portrait In the Traditional Costume of the Bregenz Forest (1781)

The…

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