“James Gillray’s Hogarthian Progresses”
Exhibition on view April 6 – September 16
The Lewis Walpole Library
154 Main Street, Farmington, CT 06032
Sequential narration in satiric prints is most famously associated with the “modern moral subjects” of William Hogarth (1697–1764): Harlot’s Progress (1732), A Rake’s Progress (1735), Marriage A-la-Mode (1745), and Industry and Idleness (1747) among others.
Less well-known is the broad spectrum of legacy “progresses” produced by subsequent generations drawing both on Hogarth’s narrative strategies and his iconic motifs. James Gillray (1756–1815), celebrated for his innovative single-plate satires, was also among the most accomplished printmakers to adopt Hogarthian sequential narration even as he transformed it according to his unique vision. This exhibition presents a number of Gillray’s Hogarthian progresses alongside some selected prints by Hogarth himself.
Curated by Cynthia Roman, Curator of Prints, Drawings, and Paintings, The Lewis Walpole Library.
Exhibition open Wednesdays, 2-4:30 pm, and by appointment
Further information about the exhibition and associated programming

Librarians and archivists around Edinburgh, Dublin, Manchester, Leeds, Cardiff and South Wales, and Liverpool (coming in October 2016) have put together guidebooks that take researchers to treasures such as letters between Cruickshank and his publishers, centuries-old sketches featuring Kirskstall Abby, and photos of the Cottingley Fairies. There are botanical illustrations so realistic you feel compelled to stroke petals and illuminated maps, manuscripts and charters with the paintings of Queen Elizabeth I, whose elaborate signature officially classifies as a work of art itself. Many of these gems are not online.