William Hogarth, Characters and Caricaturas (1743)
Deidre Lynch’s The Economy of Character (1998) emphasises the cultural capital of figures who are larger than life. ‘Character to Caricature’ aims to build upon Lynch’s transmedia conception to explore the wider narratological and satirical implications of character in the eighteenth century. This conference brings together those working on different conceptualisations of character in the period to ask questions such as: Why were character types so popular in the period? How did the ‘types’ transfer across genres and mediums of print? What can the differing ‘types’ and their interactions with one another tell us about attitudes in the period? We invite papers which look at any aspect of this topic, including: the creation of ‘stock-figures’ such as fops, nabobs, mollies, the Scot and the English John Bull; the use of characters types in dictating and shaping acceptable modes of conduct; the relationship between linguistic configurations of character and visual depictions of caricature; and the significance of character types in relation to the social and political climate of the period.
We invite abstracts of no more than 250 words, for 20 minute papers. We welcome proposals for panels as well as ideas for alternative format sessions.
Please email abstracts, along with a short bio to email@example.com by 18.05.2018
Due to unforeseen circumstances, the London 19th Century Studies Seminar originally scheduled for this Friday, 8th December will be rescheduled for 2018. A revised date will follow from the IES and 19th Century Studies Seminar.
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On Thursday, 8 December, Mary Shannon (Roehampton), Julia Thomas (Cardiff) and Luisa Calè (Birkbeck) will discuss their recent work on nineteenth-century illustration as part of the Nineteenth-Century Studies Seminar series at the Institute of English Studies, Senate House, London.
Mary Shannon – ‘Illustration on London’s “Artists Street” 1800-1820’
Julia Thomas – ‘Reading Victorian illustration: word, image, digital’
Luisa Calè – ‘A Dream of Thiralatha: promiscuous book gatherings, and the wanderings of Blake’s separate plates’
The seminar begins at 17:30 and ends at 19:30, and will be held in Room G7, ground floor, Senate House. To book a (free) place, visit the IES website.
The University of Leicester and Spalding Gentlemen’s Society invite applications for an AHRC-funded Collaborative Doctoral Award (CDA), ‘Antiquarianism, Science and Networks of Knowledge: The Archives of the Spalding Gentlemen’s Society, 1710-1760’.
Funded by the AHRC’s Midlands3Cities (M3C) programme, the project operates as a collaboration between the University of Leicester and the Spalding Gentlemen’s Society, Britain’s oldest provincial learned society and second-oldest museum. The successful applicant will be able to formulate a topic within the project’s broad remit based on their areas of interest and/or professional experience, and will enjoy opportunities for training in conservation, cataloguing, exhibition design, curatorship and collections management. The project also provides regular opportunities for public engagement.
Students with interests in book history, print culture, library and archive studies, and cultural history are especially encouraged to apply. The terms of the CDA allow the successful applicant to extend their funding for an additional 0.5 years to curate an exhibition of materials from the archive, much of which has never been studied or made available to the general public.
Throughout the PhD the student will be jointly supervised by Dr Kate Loveman (Leicester) and Dr Dustin Frazier Wood (SGS Librarian), with additional supervisory support from Professor Roey Sweet (Leicester) and Julia Knight (Ayscoughfee Hall).
Full details, including information on how to apply, are available on the M3C website. Deadline for applications is 15 January 2018.
Knowing ‘as much art as the cat’: 19th-Century Women Writers on the Old Masters
The Birkbeck Centre for Nineteenth-Century Studies will host a major conference examining the role of English-speaking women as disseminators of knowledge about Old Master paintings and historic painting techniques during the Victorian era on Friday, 10 November at 10am in the Sainsbury Wing Lecture Theatre, National Gallery.
Aims and Scope:
John Ruskin infamously dismissed the art historian Anna Jameson as knowing ‘as much of art as the cat’. However, in recent years there has been an upsurge of interest in women like Jameson as influential interpreters of the visual arts and as writers of art history during the formative years of the discipline. This conference, which capitalises and expands upon this interest, will look afresh at the role of English-speaking women as disseminators of knowledge about Old Master paintings and historic painting techniques during the Victorian era.
While the National Gallery’s first Director, Charles Eastlake, and his male colleagues produced scholarly publications, including museum catalogues, aimed at professionals and connoisseurs, women in his circle and in the following generations typically had a wider reach. They could – and did – speak to specialists, but many chose to disseminate information in more creative and demotic ways. Mary Merrifield, for instance, wrote on historic painting techniques and also published articles about women’s fashion, in which she used the Old Masters as a sartorial guide, illustrating her points with pictures from the National Gallery’s collection.
Among the research questions the conference speakers will engage with are: What was the contribution of British women writers to the emerging discipline of art history, including canon formation, formal criticism and history of techniques and other genres such as exhibition guides and translations? Is there anything distinctive about women’s approach to these fields? A second set of issues we will address concerns women’s networks and relationships – between sexes, between generations, and with professional counterparts abroad – as well as exploring women writers’ institutional affiliations. Finally, we hope to see new insights emerging at the conference about the reception of women writers’ published work in art history, not least in relation to its reach and audiences and its critical fortune.
The Autumn programme of the London Nineteenth-Century Studies Seminar features two sessions of interest to scholars of illustration:
3rd November: Historical Fiction
Dr Brian H Murray (King’s College London) and Prof. Rosemary Mitchell (Leeds Trinity)
8th December: Nineteenth-Century Illustration
Prof. Julia Thomas (Cardiff) and Dr Mary Shannon (Roehampton)
Information, including details of how to book, are available on the Institute of English Studies website.
The Big Blake Project, based in Bognor Regis, has released an online virtual tour of William Blake’s Cottage in Felpham, West Sussex, where William and Catherine Blake lived between the Septembers of 1800 and 1803.
Using 360° photography, the tour provides an immersive experience designed to be viewed via virtual reality goggles, but can be accessed on a web browser on any computer, tablet or smartphone.
The tour includes six viewing zones: four rooms and the stairwell inside the house, and the garden. Each area is populated with images from Blake’s works. Those inside the house are all related to his time in Felpham; those in the garden reflect Blake’s interest in the pastoral.
Each zone in the tour also features musical settings of Blake’s poetry, composed by Lucien Posman, by kind permission of the composer.
An introduction to each zone explains the theme and its relevance to Blake’s time in Felpham. Viewers can also read more about selected images that appear in each zone.
The tour was commissioned by the Big Blake Project; it was produced by photographer Jason Hedges, and curated by Naomi Billingsley. The project was jointly funded by the Big Blake Project and a grant from West Sussex County Council and Arun District Council.
The William Blake’s Cottage Virtual Tour is included in the Blake Fest exhibition at Bognor Library, which runs until 7 October (open 2-5pm, Thursday-Saturday). Other showings will be announced soon; the tour can also be viewed online.