QMCECS Seminar: ‘Exhibiting the Eighteenth Century’: 11 March 2015

Queen Mary Eighteenth-Century Studies Seminar 2014-2015
‘Exhibiting the Eighteenth Century’

Joint meeting with the IHR British History in the Long 18th Century Seminar
Wednesday 11 March 2015
Time: 5.15pm.
Venue: Clore Learning Centre, Kensington Palace State Apartments, Kensington Gardens, London W8 4PX

Joanna Marschner (Historic Royal Palaces), Moira Goff (The Garrick Club), Alex Werner (Museum of London).

The seminar will take place in the Clore Learning Centre at Kensington Palace at 5.15 p.m. and will be followed by a drinks reception. As usual the seminar is free and open to all, but as numbers are limited at the venue, you need to reserve a place by emailing Gillian Williamson (gswilliamson@virginmedia.com).

Download a map of Kensington Palace access.

Convenors: Prof Markman Ellis, English (m.ellis@qmul.ac.uk); Prof Colin Jones, History (c.d.h.jones@qmul.ac.uk); Prof Miles Ogborn, Geography (m.j.ogborn@qmul.ac.uk); Prof Amanda Vickery, History (a.vickery@qmul.ac.uk), Prof Barbara Taylor, English and History (b.g.taylor@qmul.ac.uk), Prof John Barrell, English (j.barrell@qmul.ac.uk).

For updates and more information, see our blog: <http://qmcecs.wordpress.com/

‘The Artist and the Writer’, Sat. 29th November: REVISED PROGRAMME

If you are coming to the second RIN symposium, ‘The Artist and the Writer’, on Saturday 29th November at Senate House, London, please note that the programme has been extended by 35 minutes and will now finish at 5.35pm.

This is to make time for viewings of an exhibition of illustrated material in Senate House Library’s Special Collections Reading Room!

The material to be displayed has been specially selected to fit with the theme and content of the symposium, and we are grateful to Karen Attar of Senate House Library for her work on this.

See https://romanticillustrationnetwork.wordpress.com/events/ to download the revised programme for details.

 

Guest Lecture: ‘A Private Space as Visual Text in 17th-century England’ University of Tampa, FL.

‘Never less alone than when alone’ 
A Private Space as Visual Text in 17th-century England

Guest Lecture
with Digital Images & Display Table
Sunday, October 19th, 2014. 1:30pm
University of Tampa Library, Room 203. Tampa, FL.
(Some traffic rerouting on West Kennedy Blvd.)

Speaker:
Professor Heather Meakin
University of South Florida-Tampa
Department of English.

Hosted by the Florida Bibliophile Society

Professor Meakin will speak on her recent book, The Painted Closet of Lady Anne Bacon Drury (Ashgate, 2013), an extraordinary subject engaging art installation, women and the visual arts, and the specialness of private space in the design and use of the early-modern home.

For particulars & illustrated poster see: http://www.floridabibliophilesociety.org/id2.html

Event Initiated & Coordinated by Maureen E. Mulvihill
Princeton Research Forum, Princeton NJ.

Blake Archive: publication of searchable electronic edition of Blake’s illustration to Gray

The William Blake Archive is pleased to announce the publication of a fully searchable electronic edition of Blake’s 116 water color illustrations to Thomas Gray’s poems. The Archive first published these designs in April 2005 in our Preview mode. This republication substantially increases the number and range of Blake’s pictorial motifs available for searching on the Archive.

The designs for Gray’s poems are among Blake’s major achievements as an illustrator. They were commissioned in 1797 by Blake’s friend, the sculptor John Flaxman, as a gift for his wife Ann, to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans’ seeing Blake’s water color designs to Edward Young’s Night Thoughts, begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of paper and mounted in these windows the texts of Gray’s poems from a 1790 letterpress edition. Blake then drew and colored his designs surrounding the printed texts. Although listed by William Michael Rossetti in his catalogue of Blake’s drawings and paintings, published in the 1863 and 1880 editions of Alexander Gilchrist’s Life of William Blake, the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919. They are now among the Blake treasures at the Yale Center for British Art in New Haven, Connecticut.
Illustrations to Gray's Poems, object 55, "The Bard"

Illustrations to Gray’s Poems, object 55, “The Bard”

Blake’s illustrations respond to Gray’s poems in a variety of ways, but always with respect for the specifics in the text. Many motifs are visualizations of Gray’s metaphoric images. The Gray illustrations share iconographic and stylistic similarities with the Night Thoughts designs; both series are indebted to the pictorial imagery Blake developed in his illuminated books of the early- and mid-1790s. For the more comic passages in Gray’s poems, Blake deployed a broad, almost caricature-like style. Many of the designs emphasize the imagination at work in the world through inspired acts of reading, writing, and performing music.

As always, the William Blake Archive is a free site, imposing no access restrictions and charging no subscription fees. The site is made possible by the University of North Carolina at Chapel Hill with the University of Rochester, the continuing support of the Library of Congress, and the cooperation of the international array of libraries and museums that have generously given us permission to reproduce works from their collections in the Archive.
Morris Eaves, Robert N. Essick, and Joseph Viscomi, editors
Joseph Fletcher, project manager, Michael Fox, technical editor
The William Blake Archive